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Renaissance Bookmark
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(shading indicates overlap from previous section)
COPYRIGHT NOTICE
This is a “complimentary” chart, which means you may photocopy it. You may stitch it as many times as you’d like. Shopowners may give it
to customers free of charge. However, since TW Designworks retains ownership of the copyright,
you may not sell this chart, or profit from
it in any way!
On behalf of needlework designers, thank you for obeying of copyright law!
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9
Renaissance Bookmark
designed by Teresa Wentzler
DMC Anchor Color Name
Stitch Count:
33W X 128H
Finished design size:
@ 2-1/3” X 9”
Fabric:
28-count cream Glasgow linen
from Zweigart®
TW Designworks
Te resa Wentzler
PO Box 176
Montoursville, PA 17754
phone/fax:
570/433-9979
Web:
www.twdesignworks.com
E-mail:
tlw@microserve.net
9
677 886 old gold, v. lt.
738 372 tan, v. lt.
676 891 old gold, lt.
437 362 tan, lt.
729 890 old gold, med.
436 1045 tan
420 374 hazelnut, dk.
794 117 cornflower, lt.
793 176 cornflower, med.
792 941 cornflower, dk.
793 176 cornflower, med.
792 941 cornflower, dk.
158 123 cornflower, v. dk.
791 941 cornflower ult. dk.
223 894 pink, med. lt.
3722 895 pink, med.
3362 861 pine green, dk.
3363 860 pine green, med.
Kreinik Metallic Fiber:
002V #4 braid: Vintage Gold
Z
General Instructions:
Cross stitch
over-two
using two strands
of floss. When two floss colors are
bracketed together, use one strand of
each color. Backstitch using one strand
of floss.
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bs only
1
r
Special Instructions
: (DMC numbers
)
420:
backstitch all gold first!
158:
backstitch blue rings in circular ends
only
Kreinik #4 braid
:
Straight stitch the dotted lines, then
“tack”at intersections where indicated on
chart using one strand 729.
223/3722:
(one strand each) make lazy
daisy flowers (indicated by grey)
3362/3363:
(one strand each) make lazy
daisy leaves (all others)
!
4
B
3
E
12
Note:
Regarding the blue “under” the
gold braid: You may choose to do full
cross stitches instead of the fractional
stitches that are charted; it’s up to you.
lazy daisy stitch
Notes: Changing the Colorway?
replacement color should contrast well
with the main color. For example, if you
decide to make red the main color, the
gold would still work well, *if* your red
leans more toward mauve (cooler) than
toward orange (warmer). However, if
your red is more orange-y, then you defi-
nitely need to choose something “cooler”
to contrast more, or definition will be
lost, whether or not the backstitch color
you choose is very dark! Remember, the
shading is very important in this design.
This color is the most difficult to change!
even orange contrasts with the blue,
making the motifs “stand out”, adding
visual interest (and focal points!) to it.
If you would like to change the colors
used in this design, you may find the
following information helpful.
(NOTE: The motifs using the accent color
are “naturalistic” meaning that they
mimic something from the natural
word...in this case: flowers and leaves.
However, it’s not necessary that you use
naturalistic colors for these motifs if you
don’t want to!)
1.
Blue is the main color of the design as
charted. If you would like to replace the
blue with another color, bear in mind
that there are 5 shades of blue: from very
dark to light. To preserve the shading
used in the design, select another main
color (in 5 shades) accordingly. This is
the easiest color to change.
4.
The metallic gold is an echo of the
gold shades used in the design. Because
it’s used over top of dark areas of the
main color, it must contrast well in order
to be seen. This color can be changed as
long as it meets the high “contrast” crite-
ria.
3.
The pink used in this colorway is an
accent color: it gives the design a degree
of color balance. Without this contrast-
ing color, the design would be rather
boring to look at! When choosing an
accent color, it should compliment the
main color. For example, the design
would not be as interesting to look at if
the pink flowers were a “cool” color like
turquoise, blue or violet. They would
tend to “disappear” visually, and the
design would look somewhat “flat”. A
warmer color like pink, red, salmon or
2.
Gold is used liberally in the given col-
orway. It is a “warm” color, in high con-
trast to the “cool” blue. There are 3
shades of gold: dark, medium, and light.
There is also a backstitch color which is
a shade darker yet. Bear the following
in mind if choosing a new color to
replace the gold. The gold is used as a
“uniting” color in this design: it’s found
in almost every area, and serves to “tie”
all of the design elements together. If
you choose to change the gold, your
I hope you’ll find these tips helpful.
Changing the colors in a design is one
way to personalize your stitching and
make it truly “yours”. So, experiment
and have fun!
Te r esa
©2005 Teresa Wentzler, TW Designworks, P.O. Box 176, Montoursville, PA 17754. All rights reserved. On-Line: www.twdesignworks.com
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